Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in. – Jerry Saltz
I also take pleasure in the so-called negative power in Grotjahns work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isnt simply working from a prescribed checklist of academically acceptable, curator-approved isms and twists. – Jerry Saltz