John Currins exaggerated realism and his twisted women kept me off balance, never knowing if they were sincere or ironic or some new emotion. – Jerry Saltz
Jerry Saltz
The Panorama is also the last place anywhere in New York where the World Trade Center still stands, whole, as it stood in the early morning of September 11. I can also see the corner where I saw the first tower fall and howled out loud. Seeing the buildings again here is uplifting, healing. – Jerry Saltz
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, the ability to conceive failure as progress. – Jerry Saltz
I love art dealers. In some ways, theyre my favorite people in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, support artists, employ people, and do all of this while letting us see art for free. Many are visionaries. – Jerry Saltz
The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewers journey, shifts the emphasis from process to product, and lacks individuality and openness. Its not that art should be seen only in rutty bombed-out environments, but it should seem alive. – Jerry Saltz
When money and hype recede from the art world, one thing I wont miss will be what curator Francesco Bonami calls the Eventocracy. All this flashy art-fair art and those highly produced space-eating spectacles and installations wow you for a minute until you move on to the next adrenaline event. – Jerry Saltz