He used this great, sad, motionless face to suggest various related things: a one-track mind near the tracks end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive… – James Agee
When he ran from a cop his transitions from accelerating walk to easy jog trot to brisk canter to headlong gallop to flogged-piston sprint…were as distinct and as soberly in order as an automatic gearshift. – James Agee