Jerry Saltz

Of course art world ethics are important. But museums are no purer than any other institution or business. Academics arent necessarily more high-minded than gallerists. – Jerry Saltz

These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like Im a flesh-eating virus. – Jerry Saltz

Many art-worlders have an if-you-say-so approach to art: Everyone is so scared of missing out on the next hot artist that its never clear whether people are liking work because they like it or because other people do. Everyone is keeping up with the Joneses, and there are more Joneses than ever. – Jerry Saltz

In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we dont know what were seeing, we overreact. – Jerry Saltz

Mission accomplished. The Museum of Modern Arts wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental installations and gigantic sculptures, should the need arise. It has arisen. – Jerry Saltz

Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. Theres likely more combined square footage for the showing of art on one New York block – West 24th Street between Tenth and Eleventh Avenues – than in all of Amsterdams or Hamburgs galleries. – Jerry Saltz

Those who love him love that he sells the most art they take it as a point of faith that this proves Kinkade is the best. But his fans dont only rely on this supply-and-demand justification. They go back to values. – Jerry Saltz

Yes, 85 percent of the art you see isnt any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument. – Jerry Saltz

The reason the art world doesnt respond to Kinkade is because none – not one – of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. Theyre all cliche and already told. – Jerry Saltz

I also take pleasure in the so-called negative power in Grotjahns work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isnt simply working from a prescribed checklist of academically acceptable, curator-approved isms and twists. – Jerry Saltz

Kinkades paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, Id love to see a museum mount a small show of Kinkades work. I would like the art world and the wider world to argue about him in public, out in the open. – Jerry Saltz

Rumors sound of galleries asking artists for upsized art and more of it. Ive heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast. – Jerry Saltz

It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. Hes the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed. – Jerry Saltz

Artschwagers art always involves looking closely at surfaces, questions what an object is, wants to make you forget the name of the thing youre looking at so that it might mushroom in your mind into something that triggers unexpected infinities. – Jerry Saltz

Poor Georgia OKeeffe. Death didnt soften the opinions of the art world toward her paintings. – Jerry Saltz

The greatest work of art about New York? The question seems nebulous. The citys magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand. – Jerry Saltz

Early-twentieth-century abstraction is arts version of Einsteins Theory of Relativity. Its the idea that changed everything everywhere: quickly, decisively, for good. – Jerry Saltz

Ive always said that an art critic can put aside politics around art. – Jerry Saltz

Abstract Expressionism – the first American movement to have a worldwide influence – was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and youll find a would-be Willem de Kooning). – Jerry Saltz

The Metropolitan Museum of Art is unsurpassed at presenting more than 50 centuries of work. I go there constantly, seeing things over and over, better than Ive ever seen them before. – Jerry Saltz