Jerry Saltz

I also take pleasure in the so-called negative power in Grotjahns work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isnt simply working from a prescribed checklist of academically acceptable, curator-approved isms and twists. – Jerry Saltz

Kinkades paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, Id love to see a museum mount a small show of Kinkades work. I would like the art world and the wider world to argue about him in public, out in the open. – Jerry Saltz

Rumors sound of galleries asking artists for upsized art and more of it. Ive heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast. – Jerry Saltz

It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. Hes the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed. – Jerry Saltz

Artschwagers art always involves looking closely at surfaces, questions what an object is, wants to make you forget the name of the thing youre looking at so that it might mushroom in your mind into something that triggers unexpected infinities. – Jerry Saltz

Poor Georgia OKeeffe. Death didnt soften the opinions of the art world toward her paintings. – Jerry Saltz

The greatest work of art about New York? The question seems nebulous. The citys magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand. – Jerry Saltz

Early-twentieth-century abstraction is arts version of Einsteins Theory of Relativity. Its the idea that changed everything everywhere: quickly, decisively, for good. – Jerry Saltz

Ive always said that an art critic can put aside politics around art. – Jerry Saltz

Abstract Expressionism – the first American movement to have a worldwide influence – was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and youll find a would-be Willem de Kooning). – Jerry Saltz

The Metropolitan Museum of Art is unsurpassed at presenting more than 50 centuries of work. I go there constantly, seeing things over and over, better than Ive ever seen them before. – Jerry Saltz

I like that the art world isnt regulated. – Jerry Saltz

Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and youll find it. Its there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film. – Jerry Saltz

Art is for anyone. It just isnt for everyone. Still, over the past decade, its audience has hugely grown, and thats irked those outside the art world, who get irritated at things like incomprehensibility or money. – Jerry Saltz

Money is something that can be measured art is not. Its all subjective. – Jerry Saltz

After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades – even if its now close to aesthetic kudzu. – Jerry Saltz

A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms, The Clock is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself – something almost inhuman. – Jerry Saltz

Contrary to popular opinion, things dont go stale particularly fast in the art world. – Jerry Saltz

The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst on us all because were not pure enough, good omens appear. – Jerry Saltz

I dont know much about auctions. I sometimes go to previews and see art sardined into ugly rooms. Ive gawked at the gaudy prices, and gaped at well-clad crowds of happy white people conspicuously spending hundreds of millions of dollars. – Jerry Saltz