It took me twenty years to get Steven Parrinos work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction. – Jerry Saltz

A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms, The Clock is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself – something almost inhuman. – Jerry Saltz